Tag: White rabbit collection

Judith Neilson Interview: The White Rabbit Collection

Judith Neilson first discovered contemporary Chinese art while visiting China in 1999. From that moment, her fascination has driven the White Rabbit Collection. Today it is the largest ongoing private collection of contemporary art from Greater

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Past meets present in Jingdezhen: Geng Xue and ''Mr Sea''

An extract from a quarterly essay:

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Reconstructing Memory: Ouyang Chun’s ‘The Mortals’

 

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The fast train to Hangzhou: Zhang Peili, Longjing tea and video art

An interview with the pioneer of Chinese video art in Hangzhou

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Beijing Lights

White Rabbit Gallery's Hannah Toohey muses on her first impressions of Beijing in this personal account of a recent trip accompanying Manager of Research Luise Guest as she travelled to artists' studios conducting interviews for the Judith

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Wang Jianwei on the Autonomy of Tools

In 2018, Wang Jianwei donated an f-clamp to the White Rabbit Collection Archive, explaining that this object was a tool that he had used in the process of creating the work Dirty Substance 1, held in the White Rabbit Collection. 

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In Beijing and Shanghai with White Rabbit

If there were any doubt that the art scene in China is as relentlessly creative, taboo-breaking, entrepreneurial and just plain exciting as ever, you need look no further than the April research trip to China undertaken by White Rabbit Manager of

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Performance Art, Archives and Academic Research

Yu-Chieh Li, the Judith Neilson Postdoctoral Fellow in Contemporary Art at UNSW Art & Design, recently completed a field trip to investigate the phenomenon of performance art festivals and live art in Mainland China, Hong Kong, and Taiwan,

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Mao's Mangoes

Q: When is a mango more than a mango? A: In China, during the Cultural Revolution

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He Yunchang’s firewood in the White Rabbit Collection Archive

In 2018, performance artist He Yunchang donated a bundle of chopped wood to the Judith Neilson/White Rabbit Collection Archive, considering this to be the most appropriate documentation of his artistic practice. He Yunchang began chopping firewood

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